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Classical 89.9 WDAV
World of Opera
Saturdays at 6 p.m.

Lisa SimeoneWorld of Opera with host Lisa Simeone brings listeners compelling performances from top American and international opera companies. World of Opera encompasses the seminal operas of centuries past as well as today's masterpieces.
World of Opera is a production of WDAV Classical Public Radio, a service of Davidson College.

World of Opera Site     Lisa Simeone's bio

Program Schedule
January 24, 2015
Rossini Turns 21, with 'Aureliano in Palmira'

WoO 1504 AurelianoG. Rossini Symphony Orchestra, Chorus of the Teatro Comunale, Bologna 
Will Crutchfield, conductor

This story of romantic intrigue among warring leaders of the ancient world is rarely heard in modern opera houses, though it is home to some of Rossini's best-known music: Its rousing overture was later recycled to kick off his comedy, The Barber of Seville.

January 17, 2015
Tchaikovsky's The Maid of Orleans
WOO 1503 Maid of OrleansBolshoi Theater Orchestra and Chorus
Tugan Sokhiev, conductor

This neglected gem is Tchaikovsky's moody, Romantic take on one of history's most compelling and inspiring stories -- coming to us from the legendary theater that staged world premieres of several Tchaikovsky operas.
January 10, 2015
Brilliance in Darkness: Verdi's 'Simon Boccanegra'
Verdi Simon Boccanegra

La Fenice Orchestra and Chorus 
Myung-Whun Chung, conductor

Verdi himself once described the story of this brooding masterpiece as "too sad, and desolate," and then made a complete revision of the score before he was satisfied. Now, it's counted among his most powerful and compelling dramas. It comes to us from one of opera's most glamorous destinations, La Fenice in Venice.
January 3, 2015
Handel's Julius Caesar in Egypt
Pictured Sonia Prina (Julius Caesar) and Jud Perry (Tolomeo); photo by Ramella and Giannese; Teatro Regio Torino

Teatro Regio Orchestra and Chorus
Alessandro de Marchi, conductor

Not too long ago, many people were surprised to learn that Handel was among the most acclaimed opera composers of his time.  By now, he's quickly becoming a favorite of our own time, as well.  This colorful drama is one of the many Handel operas being heard more and more often in the world's theaters.
December 27, 2014
Donizetti's The Elixir of Love

Elixir of LoveRoyal Opera House Orchestra and Chorus
Daniele Rustioni, conductor

There's not a lot to be taken seriously in this comic romp by Donizetti -- unless, of course, you count the music! It's some of Donizetti's finest, and takes the opera beyond the world of farce to a place where simple confidence leads to life-changing revelations.

December 20, 2014
'El NiƱo' by John Adams: The Nativity in Verse and Music

Adams Nino

Spoleto Festival USA Orchestra Westminster Choir
Joe Miller, conductor

This sweeping setting of the Christmas story is both compellingly contemporary and filled with ancient traditions, including medieval carolers, Latin American poets, and an ethereal children's chorus. As the New York Times put it, "El Niño bears so many gifts that the senses stagger under the load."

December 13, 2014
Special Event, Special Music: Rossini's "The Voyage to Reims"

ReimsVirtuosi Brunensis Poznan Bach Chorus
Antonio Fogliani, conductor

This score by Rossini is alternately called a dramma giocoso and a "scenic cantata." Either way, it's right at home in the theater, and contains some of the composer's most brilliant vocal writing.

December 6, 2014
Grim and Grimmer: Tchaikovsky's 'The Queen of Spades'

The Queen of SpadesBavarian Radio Symphony Orchestra and Chorus
Mariss Jansons, conductor

Gambling has gotten lots of folks in trouble, but few more dramatically than the unfortunate character Herman in Tchaikovsky's opera. Based on a chilling story by Pushkin, the operatic version is no less disturbing than the original.

November 29, 2014
Mozart's Idomeneo

IdomeneoVienna State Opera Orchestra and Chorus
Christoph Eschenbach, conductor

Idomeneo is a masterpiece that’s only beginning to gain its rightful place in Mozart’s canon. The opera does have an outlandish plot -- complete with conniving gods and a carniverous sea monster -- but it’s also blessed with some of Mozart’s most beautiful music and a troupe of opera’s most touchingly human characters.

November 22, 2014
Musical Psychoanalysis: Mussorgsky's 'Boris Godunov'

WoO-1447-BorisFinnish National Opera Orchestra and Chorus
Michael Güttler, conductor

Deeply rooted in the country's colorful history, Mussorgsky's epic may be the most
famous of all Russian operas. Bass Matti Salminen does a star turn as the tormented title character, in a first-rate production from Finland.


November 15, 2014
Gioachino Rossini's Armida

WoO-1446-ArmidaOrchestra and Chorus of the Teatro Comunale Bologna
Carlo Rizzi, conductor

The story of the sorceress Armida, from Torquato Tasso's epic poem Jerusalem Liberated, has been set by several great composers -- including Dvorak, Handel and Haydn -- as well as any number of lesser lights. But of all those versions, Rossini's lively opera just may be the best.
November 8, 2014
The Power to Seduce: Tchaikovsky's 'Enchantress'

WOO-1445-EnchantressArnold Schoenberg Chorus
ORF Radio Symphony
Mikhail Tatarnikov, conductor

In this fascinating drama, the title character is a brazen seductress who finds redemption in true love, but in the process brings tragedy to an entire family. Tchaikovsky struggled with the complexities of the plot, yet brought the story to life with some of his most brilliant music.

November 1, 2014
Quarreling Queens: Donizetti's 'Maria Stuarda'

WoO-1444-MariaStuardaRoyal Opera House Orchestra and Chorus
Betrand de Billy, conductor

In operas from Elizabeth at Kenilworth to Anna Bolena, Donizetti seemed fascinated by the intrigues and rivalries of British royalty. This example deals with the complex relationship between Elizabeth I and Mary Stuart -- also known as Mary, Queen of Scots.
October 25, 2014
Stealing a Little Thunder: 'The Barber of Seville'

Barber of SevilleOrchestra of the TeatroComunale, Bologna
San Carlo Chorus, Pesaro
Giacomo Sagripanti, conductor

There may be no such thing as artistic perfection, but with his Barber ...Rossini surely came as close as anyone to creating a flawless operatic comedy.  The production comes to us from the 2014 edition of the annual Rossini Opera Festival, in the composer's hometown.



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